It was a good night for women everywhere. Read my review at Houstonia Magazine.
Some fantastic dancing and singing on Friday night at Houston Grand Opera, though not often at the same time. Read my review at Houstonia Magazine.
There were so many multi-colored wig-and-bald clown caps on stage Friday that I starting hearing a rhyme from my childhood: One cap, two cap, green cap, blue cap—from top to bottom Houston Grand Opera’s latest performance of Barber of Seville looks like Dr. Seuss tried to go postmodern and sounds a bit like it too, but for a devilishly charismatic barber who saves the day. My review at Houstonia.
Nothing comes of pining for what could have been, but that’s where I found myself on Friday night at Houston Grand Opera’s Elektra. With reigning soprano Christine Goerke in the title role, I couldn’t help myself. Read my review at Houstonia.
A world premiere (music by Ricky Ian Gordon, libretto by Royce Vavrek), this is the closest HGO has gotten to getting the Christmas cheer right. Read my review at Houstonia.
A beautiful opera, no doubt about it. And it fared much better in the cavernous George R. Brown Convention Center than last week’s La Traviata. Read my review at Houstonia.
How do you review an opera after a natural disaster like Hurricane Harvey wipes out its hall for a season? It’s not anything I ever learned in school. At Houston Grand Opera’s season opening night of La Traviata on Friday, I heard all kinds of mixed emotions from the audience who, replete in black tie, clambered around the George R. Brown Convention Center hall HGO had valiantly converted into an opera theatre. Take a look at the varying reviews coming out. At Houstonia Magazine, mine is but one version of what’s going on and how to talk about it. Particularly, I admire Joseph Campana’s review at Culturemap–do check it out too.