Read my review of Friday night’s concert at Bachtrack.
I really can’t express what an inspiration it was to hear Yo-Yo Ma perform. You read about these prodigies, but seeing is believing. Read my review at Bachtrack.
PS: For all those curious audience members, his serene encore was the “Appalachia Waltz” by Mark O’Connor. If you have chance, check out their collaborative album of the same name.
And pianist Denis Kozhukhin returns to play the Rach 3. Read my review at Bachtrack.
…At Houston Symphony last night with Daniil Trifonov playing Schumann’s piano concerto. You can read my review at Bachtrack. What you won’t read in my review is a moment during the cadenza in the first movement, when the gentleman in front of me pulled his program out, holding it in mid air, and began lazily reading through it. I was beyond baffled why someone would decide to read the list of guarantors while an artist like Trifonov has his hands melting at the piano. Why even go to the symphony at all?
..at Houston Symphony this weekend. Read my review at Bachtrack.
And last night, the Shepherd School Symphony Orchestra delivered an astounding concert. It’s getting more and more rare that I’ll hear a piece of music and fall in love with it, but their performance of Lutoslawski’s Concerto for Orchestra was out. of. this. world.
The Houston Symphony opened its season with a curious trio of work, but I have no complaints about Sir Ben Kingsley narrating Peter and the Wolf. Read my review at Bachtrack.
I readily admit I was a big fan of the Little Mermaid when I was young–not just the Disney film but the darker, unhappier fairytale versions too. Houston Grand Opera’s Rusalka brought the fairytale happily into my adulthood on Friday. Saturday night was a mixed bag at Jones Hall. I don’t expect I’ll hear anyone play Schumann’s violin concerto again any time soon, and I’m not sure I mind.