Mysteries of the Macabre

In 1978 at the Royal Opera in Stockholm, György Ligeti premiered his opera Le Grand Macabre. It’s sort of the opera that has everything, running the gamut from tragedy to comedy. Wild, dramatic, absurd, but still philosophical, the opera offers two perspectives that feel incredibly relevant to our present times: to live in fear of tyrants and monsters, always anticipating the worst, or to embrace what joys are within immediate reach.

I’ve long admired it, but never had the pleasure of seeing it in person. Instead, I’ve scoured many recordings and youtube videos. Recently, a friend shared a video that is unlike anything I’ve seen: Barbara Hannigan sings an arrangement of three arias for soprano, “Mysteries of the Macabre,” with conductor Sir Simon Rattle (recorded in January, 2015). I don’t want to give anything away, but—wow. Incredible stuff.

But wait! There’s more: Your conception of what opera is can be radically redefined too. Watch it here.