…is almost here! Read my notes about HGO’s annual Studio Showcase and what it tells us to expect from the season at Houstonia Magazine.
Fear in Future Past
Weekend Music: Rusalka and Schumann
I readily admit I was a big fan of the Little Mermaid when I was young–not just the Disney film but the darker, unhappier fairytale versions too. Houston Grand Opera’s Rusalka brought the fairytale happily into my adulthood on Friday. Saturday night was a mixed bag at Jones Hall. I don’t expect I’ll hear anyone play Schumann’s violin concerto again any time soon, and I’m not sure I mind.
Read both of my reviews at Bachtrack: the opera; and the symphony.

“HGO wastes a Figaro”
…read my review at Bachtrack.
Tosca and Onegin at HGO
Houston Grand Opera’s 2015-2016 season starts in just one week with Tosca and Eugene Onegin, and it sounds like it’s going to begin bombastically. Read my preview at Houstonia Magazine.

World Premiere by HGOco
I had a lovely chat with composer Gregory Spears about his new opera O Columbia, which you can read at Houstonia Magazine. His first opera–a 2009 premiere I wish I had been at–was based on Willa Cather’s short story “Paul’s Case.” As a Cather scholar myself (and a big fan of her own opera criticism in the early 1900s), I think it’s marvelously appropriate she get an opera about one of her stories, too.
A saucy excerpt from her music criticism: Writing for the Courier in 1900, Cather reviews a recital given by contralto Clara Butt: “I cannot say just why this young woman gives one a creepy feeling as she does. She made me think of all the verses of all the Degenerates, and sometimes I thought she was more terrible and pessimistic than Yvette Guilbert herself…” And later: “The girl has absolutely no musical intelligence; no musical memory, no musical taste. The brain cells are not fashioned the right way, the nerve tissue is not of the right fibre, and Miss Butt will never while time endures be an artist.”
HGO’s Sweeney Todd

“Review: The Not-Demonic-Enough Barber of Fleet Street” at Houstonia Magazine.
I Need a Hero: HGO’s Die Walküre
Bonnie Tyler’s “I Need a Hero” should be a pre-requisite for anyone going to this opera. Read my review of Houston Grand Opera’s production of Die Walküre at Houstonia Magazine.

Magic Flute at HGO: Bad Conducting, Great Singing

It was the slowest Magic Flute I’d ever heard. Read my review at Houstonia Magazine.
A Soprano saves HGO’s Madame Butterfly

What would this production be without soprano Ana Maria Martinez? Read my review of Houston Grand Opera’s Madame Butterfly at Houstonia Magazine.

