An excerpt from my review of Tutschku’s two-night concert series at Music and Literature: “Beneath the tension between machine and human in Tutschku’s compositions lies a confrontation of human with human—something we rarely admit is more uncomfortable and uncertain than the cool steel against flesh that nighttime songs from afar makes explicit. Next to friends and facing strangers on the Turrell’s squared marble benches, the audience held camaraderie while the work unfolded layer after layer of new experience.” Read it in its entirety here.
Girl at the Opera 