If rehearsals last week were any indication, this performance of Beckett’s radio play, set to the score by Morton Feldman, will sound just the kind of earnest endeavoring that runs through all things Beckett and Feldman. I’ve been in conversation with Christina Keefe about it since June last year–the decay of Words and the role Music plays in grappling with its diminishing meaning–and it will be a delight to hear its culmination.
Girl at the Opera 