…should be magical. Read my preview at Houstonia here

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A beautiful Onegin at Houston Grand Opera this weekend, and Beethoven’s String Quartet No. 15, Opus 132 on the horizon at Da Camera. November looks promising. Read my Onegin review at Bachtrack and my Elias String Quartet preview at Houstonia Magazine.
Houston Grand Opera opens its season with a stunner. Read my review at Bachtrack.
Houston Grand Opera’s 2015-2016 season starts in just one week with Tosca and Eugene Onegin, and it sounds like it’s going to begin bombastically. Read my preview at Houstonia Magazine.

Read my behind-the-scenes blog about Houston Grand Opera’s costume gurus Norma Cortez and Clair Hummel at Houstonia Magazine.
I had a lovely chat with composer Gregory Spears about his new opera O Columbia, which you can read at Houstonia Magazine. His first opera–a 2009 premiere I wish I had been at–was based on Willa Cather’s short story “Paul’s Case.” As a Cather scholar myself (and a big fan of her own opera criticism in the early 1900s), I think it’s marvelously appropriate she get an opera about one of her stories, too.
A saucy excerpt from her music criticism: Writing for the Courier in 1900, Cather reviews a recital given by contralto Clara Butt: “I cannot say just why this young woman gives one a creepy feeling as she does. She made me think of all the verses of all the Degenerates, and sometimes I thought she was more terrible and pessimistic than Yvette Guilbert herself…” And later: “The girl has absolutely no musical intelligence; no musical memory, no musical taste. The brain cells are not fashioned the right way, the nerve tissue is not of the right fibre, and Miss Butt will never while time endures be an artist.”

“Review: The Not-Demonic-Enough Barber of Fleet Street” at Houstonia Magazine.
Bonnie Tyler’s “I Need a Hero” should be a pre-requisite for anyone going to this opera. Read my review of Houston Grand Opera’s production of Die Walküre at Houstonia Magazine.


It was the slowest Magic Flute I’d ever heard. Read my review at Houstonia Magazine.

What would this production be without soprano Ana Maria Martinez? Read my review of Houston Grand Opera’s Madame Butterfly at Houstonia Magazine.